News room: Writing and Editing Autobiography, Biography, and Memoir by Michelle Asantewa

Writing and Editing Autobiography, Biography, and Memoir by Michelle Asantewa by Jazzmine Breary

Life writing is one of the most popular and enduring genres in the literary world. Freelance editor and tutor Michelle Asantewa shares her perspective on the essence of autobiography, biography, and memoir; offering tips on how to write and edit your own record of a life, below. This is definitely one to read if you’re an author looking to write about your own experiences, or create a respected work about a historical figure.


Life-writing: Writing and Editing Autobiography, Biography and Memoir

Every life is infused with a range of experiences that can capture the relation between individuals and the society in which they live or have lived. Autobiography, Biography and Memoir fall within the increasingly popular genre of life writing. Life writing gives a unique impression of the present, past, local, national, private and public experiences of an individual. The popularity of the genre means serious competition. So before you begin to write your story, you need to research the material, not only to ensure its details are accurate but also to find some interesting angle from which to tell it.


Researching will guide you to something inspiring about the life. It may reveal something previously undiscovered about an individual, the society or community you feel would benefit others. How well you convey this interesting discovery will give your life writing a better edge over the competition. However you must be clear about how to write and edit in your chosen form.


Autobiography presents a life account directly from its subject – the author. It must include biographical details: date and place of birth, present the genealogy of the subject and so on, usually in chronological order. Importantly, it should include the experiences, people and places that have vitally shaped the individual at given periods in their lives. There must be something intriguing about the life to stimulate the reader’s interest.


Biography also provides standard biographical information, but is written about the subject by someone else – in third person. As with Autobiography it must include some fascinating experiences about the subject. It can be organised around a singular object of interest rather than trying to convey the total sum of their life. The aim is to present readers with a unique way of seeing the individual.


The memoir focuses on a particular moment or period of time. It has a kind of soul-searching rigour not easily found in the Biography or Autobiography. It may not present the standard biographical information, but instead highlight the day, month, year, season of a given experience that has instrumentally impacted an individual. It is a truthful recounting or memory of that experience. Without this honesty the Memoir can become flat. Deep self-reflection and openness to explore the memory in full is what lends uniqueness to the life experience, whether this has been traumatic or distinctively fulfilling.



Research and writing completed, your next consideration is editing the work. The first approach to editing your work should be to give it a little distance. You will be able to return to it with fresh eyes and be more positively critical. All writing should be read aloud once completed. This allows you to check its rhythm along with unnecessary rhyming, grammar, repetitions and sentence variety. The structure needs to be well organised and pleasurable to read for example: consider how enticing is your beginning, how does the narrative hold in the middle and maintain its inspirational vigour to the end. Accuracy of dates and places needs to be checked to maintain your reader’s trust. Polishing your work also involves removing clichés and creating new metaphors and images to give it original colour.


Even if you’re writing about a subject, as with biography, this is not an objective exercise. All writing for publication needs editing by someone who is able to distance themselves from it and identify areas of inconsistency. Friends and family might not have the time, share your passion or have the skills to properly advise on editing. To avoid post publication cringes, a professional editor should be approached before you attempt to publish your work. An organisation like CompletelyNovel can advise on finding proofreaders and editors dedicated to giving your work that professional, quality finish.



Ready to publish?



Michelle Asantewa is a freelance editor specialising in life writing. She provides
copy editing services for fiction and non-fiction, including academic writing, dissertations/essays, as well as proofreading, and runs Creative Writing workshops.

3 Posts

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    In the early moments of the interview, Le Batard asked Manfred whether he knew prior to the recent sale to the group fronted by Bruce Sherman and Jeter whether the new owners planned to slash payroll. After some prodding (and Le Batard’s saying that the commissioner was lying), Manfred answered, We do not get involved in operating-level decisions in chicago white sox jersers the ownership approval process.

    We did not have chicago cubs jersers player-specific cleveland indians jersers plans from the Miami Marlins or any other team that has been in the ownership process. Those are decisions that the individual owners make, and they do not have to be cleared by us or approved by us. … Those are local decisions that really are not part of the approval process. Those are decisions that the individual owners make, and they do not have to be cleared with us or approved chicago white sox jersers by us.

    Manfred went on to say that he didn’t receive a payroll plan from the Marlins until two days prior to his interview miami marlins jersers with Le Batard. cleveland indians jersers More: We don’t get into, are you going to trade ‘Player X’ or ‘Player Y’ at a particular point in time, nor do we ask them to make st. louis cardinals jersers a commitment to people before they even got in and made an evaluation of their talent level, their ability to win with the people that they have. That’s just not how the ownership process works.

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    But some of that may not be true
    Here’s a key excerpt from a must-read Barry Jackson piece in the Miami Herald:

    A source directly involved in the Marlins sales process, after hearing the Le Batard interview, said, miami marlins jersers via text: Commissioner said was not aware of [Jeter] plan to slash payroll. Absolutely not true. They request and receive the operating plan from all bidders.

    Project Wolverine [the name for Jeter’s plan] called on his group to reduce payroll to $85 million. This was vetted and approved by MLB prior to approval by MLB. Every [Jeter] investor and non investor has the Wolverine financial plan of slashing payroll to $85 million. Widely circulated.

    First off, Project Wolverine is ludicrously self-important and sinister-sounding, as budget strategies go. That’s the name of a secret NSA laboratory deep under the Caballo Mountains in New Mexico, not a financial schematic. Do better, Jeets. Anyhow, there’s enough careful phrasing in Manfred’s comments (operating-level decisions, ‘Player X’ or ‘Player Y’) to give him some plausible deniability. However, the idea that he didn’t know about plans to engage in yet another demo job by Marlins owners strains credulity.

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Written by
Jazzmine Breary
Published on
23/04/2014

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